High Zero 2015
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Musicians from Afar »

Asimina Chremos (dance) Philadelphia

Ruby Fulton (trumpet, flugelhorn, violin) Idaho

Anne-F Jacques (motors, objects, amplification) Montreal

Rosie Langabeer (piano) New Zealand

Julius Masri (percussion, keyboards, oud) Philadelphia

Liew Niyomkarn (electronics, found objects) The Hague

Laura Ortman (amplified violin) New York

Marshall Trammell (percussion) Bay Area

Maia Urstad (sound art) Norway

Zachary Watkins (electric guitar) Oakland

Walter Wright (drums, electronics, objects) Massachussettes

N.N.K. (saxophone) Japan

Marta Zapparoli (reel to reel, tape recorders) Berlin

Musicians from Baltimore and DC »

Eames Armstrong (electronics, dance, performance)

CK Barlow (guitar, sampling, electronics)

John Berndt (saxophone, electronics)

Tom Boram (thocolate tynapple panipulator)

Samuel Burt (daxophone, bass clarinet)

Jeff Carey (computer)

Owen Gardner (cello, guitar)

Layne Garrett (guitar, objects, self-built instruments)

Hanna Olivegren (voice)

Jimmy Joe Roche (voice, modular synthesizer)

Thomas Stanley (electronics)

Noelle Tolbert (dance)

Jenny Moon Tucker (C melody saxophone, alto saxophone, electronics)

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High Zero is not only weird, sophisticated, and over the top--it is also broadly participatory and deeply community based. Its both in the spirit of festival to have all sorts of ways for people to get involved, and also very much a practical necessity to launch of festival of this size on our limited budget. If you want to get involved creatively and/or just help out, we would love to have you.

Here are some of the things you can do:


We organize the festival year round on a volunteer basis but starting a month before the festival we need 20-30 smart, reliable people to sign up to help with a variety of tasks: selling and taking tickets, giving rides to the airport, helping with stage management, installations, housing musicians, and other tasks. Its fun and more importantly it helps the festival out A LOT. People who volunteer get a free ticket to a night of the festival for every day they volunteer. If you are interested, contact .


While the main stage is invitation-only and booked a year in advance, there are many opportunities to perform at High Zero through High Jinx, our broadly participatory, informal and unofficial site specific and street performances held throughout the city starting a week before the festival, which are some of the wildest and most inspired public art events in Baltimore. PARTICIPATE AT YOUR OWN RISK!


Yup, we need money. We get a huge amount done for every dollar donated and have almost no waste. Click here to support us and we will be forever grateful! (Please note that we would love to have a real endowment, if you are really wealthy and would like to see this continue for the next decade.)

Tell Us

...how you think the festival could be better, and maybe we'll learn something. We try to make it better and better each year. We would love to read your suggestions. Send them to .