Asimina Chremos (dance) Philadelphia
Ruby Fulton (trumpet, flugelhorn, violin) Idaho
Anne-F Jacques (motors, objects, amplification) Montreal
Rosie Langabeer (piano) New Zealand
Julius Masri (percussion, keyboards, oud) Philadelphia
Liew Niyomkarn (electronics, found objects) The Hague
Laura Ortman (amplified violin) New York
Marshall Trammell (percussion) Bay Area
Maia Urstad (sound art) Norway
Zachary Watkins (electric guitar) Oakland
Walter Wright (drums, electronics, objects) Massachussettes
N.N.K. (saxophone) Japan
Marta Zapparoli (reel to reel, tape recorders) Berlin
Eames Armstrong (electronics, dance, performance)
CK Barlow (guitar, sampling, electronics)
John Berndt (saxophone, electronics)
Tom Boram (thocolate tynapple panipulator)
Samuel Burt (daxophone, bass clarinet)
Jeff Carey (computer)
Owen Gardner (cello, guitar)
Layne Garrett (guitar, objects, self-built instruments)
Hanna Olivegren (voice)
Jimmy Joe Roche (voice, modular synthesizer)
Thomas Stanley (electronics)
Noelle Tolbert (dance)
Jenny Moon Tucker (C melody saxophone, alto saxophone, electronics)
High Zero is not only weird, sophisticated, and over the top--it is also broadly participatory and deeply community based. Its both in the spirit of festival to have all sorts of ways for people to get involved, and also very much a practical necessity to launch of festival of this size on our limited budget. If you want to get involved creatively and/or just help out, we would love to have you.
Here are some of the things you can do:
We organize the festival year round on a volunteer basis but starting a month before the festival we need 20-30 smart, reliable people to sign up to help with a variety of tasks: selling and taking tickets, giving rides to the airport, helping with stage management, installations, housing musicians, and other tasks. Its fun and more importantly it helps the festival out A LOT. People who volunteer get a free ticket to a night of the festival for every day they volunteer. If you are interested, contact .
While the main stage is invitation-only and booked a year in advance, there are many opportunities to perform at High Zero through High Jinx, our broadly participatory, informal and unofficial site specific and street performances held throughout the city starting a week before the festival, which are some of the wildest and most inspired public art events in Baltimore. PARTICIPATE AT YOUR OWN RISK!
Yup, we need money. We get a huge amount done for every dollar donated and have almost no waste. Click here to support us and we will be forever grateful! (Please note that we would love to have a real endowment, if you are really wealthy and would like to see this continue for the next decade.)
...how you think the festival could be better, and maybe we'll learn something.
We try to make it better and better each year. We would love to read your suggestions. Send them to .