| High 
                Zero is a vivid outgrowth of a real, unbounded subculture of people 
                producing spontaneous genre-transcending music around the globe--so 
                called "free improvisors." There is no clearly unified 
                philosophy here, but instead an intensity of existential investigation 
                and expressions of imminent freedom. The festival focuses attention 
                on EXPERIMENTATION--a widening and exploration of possibilities, 
                and on IMPROVISATION--real-time aesthetic risk-taking, flexibility, 
                and sensitivity, and "raw mental processes" revealed 
                without objectification or reductionism. To get a sense of what 
                motivates and informs this activity, these interviews 
                on the Red Room web site may be of interest.  To 
                say the High Zero Festival is an unusual event is an understatement. 
                Not only does the festival intend to provide the audience with 
                extremely varied, inspired and igneous experiences, it is also 
                a major challenge for the improvisors, who are put in contexts 
                where their stock personal musical languages may not work, pushing 
                them into terra incognita. Though not directly inspired by it, 
                the festival has a "no groups--all new collaborations" 
                structure which is most comparable to Derek 
                Bailey's Company Week in London. We are interested to hear 
                about any other events which have this sort of approach. We 
                have recently incorporated the High Zero Foundation as the official 
                organizing body of the festival and are expecting nonprofit 501(c)3 
                status by the end of July. We 
                are actively soliciting donations of support to fund the festival. 
                We hope to make the festival a yearly event with an ever-growing 
                visibility and documentation while maintaining the standard of 
                non-pandering and undiluted approach of the previous years. High 
                Zero is just one facet of this culture--and we strongly encourage 
                organizers of experimental music to continue to develop their 
                own venues and platforms, and audiences to pursue live music. 
                The Red Room performance series 
                also continues in Baltimore, presenting an average of 50 performances 
                a year.  This 
                years festival promises to be the best yet. We hope to see you 
                at High Zero 2001, and hope that you will spread the word to anyone 
                you think might be interested!    |