| High 
                Zero is a festival devoted to experimental, improvised music. 
                 The 
                term "experimental music" implies an intention 
                that is very different from the intentions of traditional, classical, 
                or pop music. Experimental music is first and foremost about the 
                exploration of possibilities--rather than the confirmation 
                of what is already known or well understood. This can mean radical 
                changes in the way that the sounds and structures of music are 
                conceived and perceived; or it can mean subtle additions to the 
                way music is made, played, and heard--giving old music a new life. 
                The result is a different, strange, and often beautiful music, 
                and sometimes experiences that raise the question "Is this 
                music at all?" (Even if I like it and WANT to hear more of 
                it?) The imagination is moved to the center stage, with the history 
                of music left behind.  "Improvisation" 
                is the practice of invention-on-the-spot in music, where the performer 
                "makes it up as he or she goes along." There are many 
                rich traditions of improvised music, such as Jazz, Blues, Indian 
                Classical music and some African and Eastern music. There 
                is also avant-garde music that is purely improvised, where 
                the invention takes place without any desire to locate it in an 
                existing style or tradition. This "free" music first 
                became known in the Sixties, when it was associated with contemporary 
                experiments in Jazz and Modern Classical music, but has subsequently 
                come into its own as a permanent and inspired musical underground 
                (with far greater support in Europe than in the USA, incidentally). 
                This music has its own audience, but also draws interest from 
                Jazz enthusiasts interested in expressive or highly individual 
                playing, and also from people interested in the entire range of 
                the musical imagination (for instance, people interested in electronic, 
                ambient, and world music; and people interested in abstract art). 
                 HIGH 
                ZERO investigates many sides of experimental improvised music, 
                drawing on an amazing pool of talented younger players and several 
                important older figures from multiple musical subcultures. Though 
                some of these players are virtuosic musicians in established styles 
                (such as Jazz or Classical music) they are united in HIGH ZERO 
                by their commitment to the musical imagination first and foremost: 
                to music which challenges the limits and delights by its audacity, 
                expressiveness, immediacy, newness, and risk-taking. Many of the 
                players have very strong personal styles, and have developed extremely 
                unique music. Whether it is based around dramatic intensity, humor, 
                especially designed and built instruments, original use of electronics, 
                raw sound, or nearly superhuman instrumental technique, it is 
                all aligned with exploration and possibility. One and all, they 
                are "virtuosi of the spirit," and they must be seen 
                and heard to be believed. . . .  
  
                Experimental and improvised music in Baltimore are very vital 
                these days; if you want to get a sense of what is going on, check 
                out these sites: http://www.harmonicbaltimore.orghttp://www.oncetwicesound.com
 http://www.neilfeather.org
 http://www.redroom.org
 http://www.redroom.org/documentation
 http://www.heresee.com
 http://www.rainbowrandom.net/
 Any 
                list of links to general sites about experimental and improvised 
                music on the internet must necessarily be incomplete--it is a 
                huge subject with many subcultures and perspectives involved. 
                If you are new to the subject, to get you started, the following 
                are a few "meta" site lists that may be of interest 
                for people persuing the subject. Obviously, surf critically--not 
                all of it is true!! http://www.freejazz.org/http://www.shef.ac.uk/misc/rec/ps/efi/
 http://www.oddmusic.com/
 http://www.freejazz.org/
 http://www.hipsurgerymusic.com/Links/read-jazz.html
 http://www.mindspring.com/~scala/
 http://www.rfbaker.demon.co.uk/modulator/
 http://sibley.esm.rochester.edu/links/comput.htm
 http://kalvos.org/mres03.html
 http://www.aea2.k12.ia.us/curriculum/music.html
 http://www.dnai.com/~jinetwk/other.html
 http://www.internetunderground.com/index.php?ParentID=274
 http://www.users.waitrose.com/~chobbs/musiclinks.html
 http://www.lancs.ac.uk/palatine/topics/electroacoustic.htm
 http://www.lancs.ac.uk/palatine/topics/experiment.htm
 http://netnewmusic.net/
 http://www.artswire.org/Artswire/www/awtour/herb/magazines.html
 http://www.softsynth.com/musiclinks.html
 
 
 
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