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Keith Fullerton Whitman is a composer/performer obsessed with electronic music; from its mid-century origins in Europe through its contemporary worldwide incarnation as "digital music."
Currently he is working towards implementing a complete system for live performance of improvised electronic music that incorporates elements from nearly every era: a reel-to-reel tape machine, a selection of small "jerry-rigged" / "circuit-bent" battery-powered sound-producing boxes, an analog modular synthesizer, an early "consumer" home-computer, and at the core; a contemporary computer running a custom-built Max-MSP based modular system that both controls these elements and acts as a central conduit into which their sounds are captured/collected, processed, then diffused to up to eight separate channels/speakers/amplifiers.
He is also, at present, composing an as-of-yet untitled piece for Egyptian Oud, Serge and Doepfer Analog Modular Synthesizers, and computer control/processing. It is his first through-composed long-form work.
Karen Borca (NYC): bassoon
Shayna Dunkelman (NYC): percussion
Ju Suk Reet Meate (Portland): trumpet
Hans Koch (Switzerland): bass clarinet
Andrea Neumann (Germany): inner piano
Tuna Pase (Istanbul): voice, flute, laptop
Juanjosè Rivas (Mexico City): circuit bending
Tomoko Sauvage (Paris): porcelain bowls, water
Gary Smith (United Kingdom): guitar
Keith Fullerton Whitman (Boston): electronics
Wobbly (California): electronics
Shelly Blake-Plock: stringed instruments
Ami Dang: sitar, voice, electronics
Drew Daniel: electronics
Dan Deacon: electronics, tuba
Tiffany Defoe: saxophone
Owen Gardner: strings
Ayako Kataoka: electronics
Liz Meredith: viola
Marc Miller: guitar
Stewart Mostofsky: electronics
Michael Muniak: feedback
M.C. Schmidt: electronics
Dan Deacon (Baltimore)
Ayako Kataoka (Baltimore)
Dr. Johannes Rosenberg (Australia)
Dragos Tara (Switzerland)
Dragos Tara @ Goucher College (9/22)
Wobbly @ Peabody Conservatory (9/22)
Juanjosè Rivas @ MICA (9/22)
Hans Koch @ UMBC (9/24)